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REVIEW: Mufasa - The Lion King (2024)

Writer's picture: moviemanmovieman

Updated: Jan 6

DIRECTOR: Barry Jenkins

PRODUCERS: Adele Romanski & Mark Ceryak WRITER: Jeff Nathanson

VOICES: Aaron Pierre Kelvin Harrison, Jr. Seth Rogan Billy Eichner Tiffany Boone Mads Mikkelsen

Thandie Newton Anika Noni Rose Lennie James Blue Ivy-Carter with Donald Glover

and Beyonce Knowles-Carter

When The Lion King was released in 1994, it quickly became a timeless classic. Its original story, exceptional vocal performances, stunning settings, and unforgettable music set it apart. Several sequels and adaptations followed, but none matched the original's impact—until now. This latest installment explores Mufasa's backstory, delivering spectacular and rewarding results, even with its live-action representation. Discover the humble beginnings of the titular character in Mufasa: The Lion King.

Mufasa transports us not only to the African pride lands but also to an era when reigning kings were nurturing the next generation to lead in their stead, amidst challenges, adversity, and the uncertainties of the future. This narrative focuses on the title character during his youth, illustrating his journey from an outsider to a highly esteemed king of the African wilderness. Throughout his journey, he encounters various characters, including a young Scar (formerly known as Taka), his future bride Sarabi, Zazu the hornbill, and the wise mandrill Rafiki, who also serves as the storyteller of this tale. What unites these five individuals is their shared aspiration for a land of better living, a vision they uniquely understand (2 Corinthians 9:6). They are a group of underdogs and misfits who faced the same challenges and circumstances that future generations would encounter. Themes of loyalty, brotherhood, first love, and responsibility through perseverance, as well as betrayal, are effectively presented in this live-action setting.


The character development in this film is exceptional, supported by the music and songs that enhance this aspect. Whether depicting the bond between Taka and Mufasa or the blossoming feelings between Mufasa and Sarabi, which causes Taka some distress, every element of this film is immediately captivating. Observing Taka's upbringing, one can discern the deceitful tendencies instilled in him. Like a sheep led astray, Taka is influenced by a dishonest father who imparts misguided lessons on kingship (Ephesians 4:18 NIV). Similar to witnessing Anakin Skywalker before his transformation into Darth Vader, we see Taka before he becomes Scar, a character we disdain yet admire as a villain. Mufasa, however, truly shines as he transitions from a young cub to a lion just beginning to grow into his mane, ultimately fulfilling his destiny as a leader and ruler, which alters his fate forever, leading to his tragic demise. Even the white lion pack, serving as the primary antagonists, is formidable, yet they do not deter Mufasa from rising to the challenge.


One potential drawback is that while the narrative is presented from Rafiki's perspective, Timon and Pumbaa frequently interrupt, attempting to redirect the focus onto themselves. Although they provide comic relief in this universe, their presence is unnecessary in this context. If they are not integral to the story, they should refrain from diverting attention with the 'Hakuna Matata' motto. Nevertheless, these interruptions do not detract from the current timeline as the past is recounted. Observing Simba in his prime as king and witnessing the evolution of his family is as captivating as the film itself. Much like 'The Godfather, Part II', two stories unfold simultaneously, and writer Jeff Nathanson executes this effectively. It presents an alternate scenario of how Vito and Michael Corleone might have acted differently. Lin Manuel-Miranda's music is enjoyable and occasionally understated, yet remains catchy.

Director Barry Jenkins masterfully captures the essence of the Lion King, presenting two narratives across different timelines with profound depth. He leads his vocal performers with passion and reverence for the original source, ensuring the film stands independently and roars with absolute supremacy. Additionally, the film pays significant homage to the original Mufasa voice actor, James Earl Jones, who sadly passed away in September. When the film opens with his speech about 'The great Kings of the past,' it promises an unforgettable experience. Jenkins guides Aaron Pierre to deliver his interpretation of Mufasa with power and conviction, allowing Jones' presence to resonate throughout with his distinctive vocal tone.


Although Jones is no longer with us, his spirit endures. As he once remarked, 'they will always be there to guide you... and so will I.' These words now carry a profound significance, especially as this film serves as a testament to that sentiment. Mufasa captures every note and moment with precision, both visually and theatrically. Maintaining the theatrical essence while subtly foreshadowing future events is a complex task, yet Jenkins executes it skillfully. Regardless of box office figures, the film's quality is paramount, as it is the presentation that distinguishes a film's success beyond ticket sales and audience numbers. Watching this was akin to attending a theater play, witnessing live animals perform with genuine passion. The appeal of these characters remains as strong as ever. Perhaps Jones' influence guided all involved, ensuring the film's perseverance and its narrative told in the manner it deserved, reaching a new generation of viewers and many more to come. Consider giving it a chance; it may pleasantly surprise you.


MY RATING: 4.5 out of 5





Honoring the Memory of

JAMES EARL JONES (1931-2024)


May your star illuminate the skies above, and we express our gratitude for your enduring legacy.

Your unparalleled voice will remain unmatched.


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